《the fifth string》

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the fifth string- 第9部分


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hair; and no doubt from a woman's head。

Eureka!'' and the old man; happy in the

discovery that his surmises were correct;

returned to his chair and his toddy。



He sat looking into the fire。 The

violin had brought back memories of the

past and its dead。 He mumbled; as if

to the fire; ‘‘she loved me; she loved

my violin。 I was a devil; my violin

was a devil;'' and the shadows on the

wall swayed like accusing spirits。 He

buried his face in his hands and cried

piteously; ‘‘I was so young; too young

to know。'' He spoke as if he would

conciliate the ghastly shades that moved

restlessly up and down; when suddenly

‘‘Sanders; don't be a fool!''



He ambled toward the table again。

‘‘I wonder who made the violin? He

would not tell me when I asked him to…

night; thank you for your pains; but I

will find out myself;'' and he took the

violin from the case。 Holding it with

the light slanting over it; he peered

inside; but found no inscription。 ‘‘No

maker's namestrange;'' he said。 He

tiptoed to the foot of the stairs and

listened intently; ‘‘he must be asleep; he

won't hear me;'' and noiselessly he

closed the door。 ‘‘I guess if I play a

tune on it he won't know。''



He took the bow from its place in the

case and tightened it。 He listened

again。 ‘‘He is fast asleep;'' he whispered。

‘‘I'll play the song I always

played for heruntil;'' and the old man

repeated the words of the refrain:





‘‘Fair as a lily; joyous and free;

Light of the prairie home was she;

Every one who knew her felt the gentle power

Of Rosalie; the Prairie Flower。''





He sat again in the arm…chair and

placed the violin under his chin。

Tremulously he drew the bow across the

middle string; his bloodless fingers moving

slowly up and down。



The theme he played was the melody

to the verse he had just repeated; but the

expression was remorse。



***



Diotti sat upright in bed。 ‘‘I am

positive I heard a violin!'' he said; holding

one hand toward his head in an attitude

of listening。 He was wide awake。 The

drifting snow beat against the window

panes and the wind without shrieked like

a thousand demons of the night。 He

could sleep no more。 He arose and

hastily dressed。 The room was bitterly

cold; he was shivering。 He thought of

the crackling logs in the fire…place below。

He groped his way along the darkened

staircase。 As he opened the door leading

into the sitting…room the fitful gleam

of the dying embers cast a ghastly light

over the face of a corpse。



Diotti stood a moment; his eyes

transfixed with horror。 The violin and bow

still in the hands of the dead man told

him plainer than words what had happened。

He went toward the chair; took

the instrument from old Sanders' hands

and laid it on the table。 Then he knelt

beside the body; and placing his ear

close over the heart; listened for some

sign of life; but the old man was beyond

human aid。



He wheeled the chair to the side of

the room and moved the body to the

sofa。 Gently he covered it with a robe。

The awfulness of the situation forced

itself upon him; and bitterly he blamed

himself。 The terrible power of the

instrument dawned upon him in all its

force。 Often he had played on the strings

telling of pity; hope; love and joy; but

now; for the first time; he realized what

that fifth string meant。



‘‘I must give it back to its owner。''



‘‘If you do you can never regain it;''

whispered a voice within。



‘‘I do not need it;'' said the violinist;

almost audibly。



‘‘Perhaps not;'' said the voice; ‘‘but

if her love should wane how would you

rekindle it? Without the violin you

would be helpless。''



‘‘Is it not possible that; in this old man's death;

all its fatal power has been expended?''



He went to the table and took the

instrument from its place。 ‘‘You won her

for me; you have brought happiness

and sunshine into my life。 No! No!

I can not; will not give you up;'' then

placing the violin and bow in its case he

locked it。



The day was breaking。 In an hour

the baker's boy came。 Diotti went to

the door; gave him a note addressed to

Mr。 Wallace and asked him to deliver it

at once。 The boy consented and drove

rapidly away。



Within an hour Mr。 Wallace arrived;

Diotti told the story of the night。 After

the undertaker had taken charge of the

body he found on the dead man's neck;

just to the left of the chin; a dullish;

black bruise which might have been

caused by the pressing of some blunt

instrument; or by a man's thumb。 Considering

it of much importance; he notified

the coroner; who ordered an inquest。



At six o'clock that evening a jury was

impaneled; and two hours later its

verdict was reported。







XIII



On leaving the house of the dead man

Diotti walked wearily to his hotel。

In flaring type at every street corner he

saw the announcement for Thursday

evening; March thirty…first; of Angelo

Diotti's last appearance: ‘‘To…night I

play for the last time;'' he murmured in

a voice filled with deepest regret。



The feeling of exultation so common

to artists who finally reach the goal of

their ambition was wanting in Diotti this

morning。 He could not rid himself of

the memory of Sanders' tragic death。

The figure of the old man clutching the

violin and staring with glassy eyes into

the dying fire would not away。



When he reached the hotel he tried to

rest; but his excited brain banished

every thought of slumber。 Restlessly

he moved about the room; and finally

dressing; he left the hotel for his daily

call on Mildred。 It was after five o'clock

when he arrived。 She received him coldly

and without any mark of affection。



She had heard of Mr。 Sanders' death;

her father had sent word。 ‘‘It shocked

me greatly;'' she said; ‘‘but perhaps the

old man is happier in a world far from

strife and care。 When we realize all the

misery there is in this world we often

wonder why we should care to live。''

Her tone was despondent; her face was

drawn and blanched; and her eyes gave

evidence of weeping。



Diotti divined that something beyond

sympathy for old Sanders' sudden death

racked her soul。 He went toward her

and lovingly taking her hands; bent low

and pressed his lips to them; they were

cold as marble。



‘‘Darling;'' he said; ‘‘something has

made you unhappy。 What is it?''



‘‘Tell me; Angelo; and truly; is your

violin like other violins?''



This unexpected question came so

suddenly he could not control his agitation。



‘‘Why do you ask?'' he said。



‘‘You must answer me directly!''



‘‘No; Mildred; my violin is different

from any other I have ever seen;'' this

hesitatingly and with great effort at

composure。



‘‘In what way is it different?'' she

almost demanded。



‘‘It is peculiarly constructed; it has

an extra string。 But why this sudden

interest in the violin? Let us talk of

you; of me; of both; of our future;'' said

he with enforced cheerfulness。



‘‘No; we will talk of the violin。 Of

what use is the extra string?''



‘‘None whatever;'' was the quick reply。



‘‘Then why not cut it off?''



‘‘No; no; Mildred; you do not

understand;'' he cried; ‘‘I can not do

that。''



‘‘You can not do it when I ask it?''

she exclaimed。



‘‘Oh Mildred; do not ask me; I can

not; can not do it;'' and the face of the

affrighted musician told plainer than

words of the turmoil raging in his soul。



‘‘You made me believe that I was the

only one you loved;'' passionately she

cried; ‘‘the only one; that your happiness

was incomplete without me。 You led

me into the region of light only to make

the darkness greater when I descended

to earth again。 I ask you to do a simple

thing and you refuse; you refuse because

another has commanded you。''



‘‘Mildred; Mildred; if you love me do

not speak thus!''



And she; with imagination greater than

reasoning power; at once saw a Tuscan

beauty and Diotti mutually pledging their

love with their lives。



‘‘Go;'' she said; pointing to the door;

‘‘go to the one who owns you; body and

soul; then say that a foolish woman threw

her heart at your feet and that you

scorned it!'' She sank to the sofa。



He went toward the door; and in a

voice that sounded like the echo of

despair; protested: ‘‘Mildred; I love you;

love you a thousand times more than I

do my life。 If I should destroy the

string; as you ask; love and hope would

leave me forevermore。 Death would

not be robbed of its terror!'' and with

bowed head he went forth into the twilight。



She ran to the window and watched

his retreating figure as he vanished。

‘‘Uncle Sanders was right; he loves

another woman; and that string binds them

together。 He belongs to her!'' Long

and silently she stood by the window;

gazing at the shadowing curtain of the

coming night。 At last her face softened。

‘‘Perhaps he does not love her now; but

fears her vengeance。 No; no; he is not

a coward! I should have approached

him differently; he is proud; and maybe

he resented my imperative manner;''

and a thousand reasons why he should

or should not have removed that string

flashed through her mind。



‘‘I will go early to the concert to…

night and see him before he plays。

Uncle Sanders said he did not touch that

string when he played。 Of course he

will play on it for me; even if he will not

cut it off; and then if he says he loves

me; and only me; I will believe him。 I

want to believe him; I want to believe

him;'' all this in a semi…hysterical way

addressed to the violinist's portrait on

the piano。



When she entered her carriage an hour

later; telling the coachman to drive direct

to the stage…door of the Academy; she

appeared more fascinating than ever before。



S
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